Lucas claimed to have been initially subjected to poor treatment and coercive interrogation tactics while in police custody, and that he confessed to murders in an effort to improve his living conditions.
This calls into question many of Lucas's alleged murders, since his confessions were often the sole evidence cited in favor of his guilt, especially his sole death penalty conviction; Amnesty International reported "the belief of two former state Attorneys General that Lucas was in all likelihood innocent of the crime for which he was sentenced to death." Lucas's sentence was commuted to life in prison in 1998 by then-Governor George W. Though Lucas's death seemed to have removed the possibility of resolution in many instances, there are still a number of unresolved or open questions.
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Some authoritieswhile admitting that Lucas tended to exaggerate his accounts and told some outright lies, and also recognizing that the Lucas Task Force engaged in some very questionable tacticsinsist that Lucas was a viable suspect in a number of unsolved murders.
Despite these factors, Lucas still maintains a reputation, in the words of author Sarah L.
A more widely circulated total of about 350 murders committed by Lucas is based on confessions deemed "believable" by a Texas-based "Lucas Task Force," a group which was criticized by Texas Attorney General Jim Mattox for sloppy police work and taking part in an extended "hoax".
Beyond his recantation, some of Lucas's confessions have been challenged as inaccurate by a number of critics, including law enforcement and court officials.
A prime example of child exploitation films were the eight Educational Pictures' Baby Burlesks shorts (15-minute one reelers with toddlers playing adult roles and wearing provocative clothing). Unfortunately, the cute, titillating 'boop-oop-a-doop' Betty was destined to be censored with the advent of the enforceable, conservative and puritanical Hays Production Code in 1934 that required her to be more fully dressed. Murnau and Robert Flaherty's adventure-documentary Tabu (1931) (see earlier).
She was fated to be cast in the flaming, destructive volcano to appease the gods, in the film's conclusion.
This film was the most outlandish of the Dietrich/von Sternberg pictures, and a prime example of a film's script that was forced to be revised three times before production because of its alleged 'ridicule' of the sanctity of marriage.
AUSTRALIA Sydney Morning Herald Louise Milligan When you write a book which details allegations of paedophilia against a man who was once one of the nation's most powerful people, curious things happen.
One of the crazier things is a tiny circle of people who still unquestioningly defend this person, saying he could not possibly have committed acts they know nothing about and accuse you of leftist bias.